索尼全画幅微单 A7RII 行摄欧陆(法国篇)

索尼全画幅微单 A7RII 行摄欧陆(法国篇)

本次行程的终点也是重头戏——法国巴黎。这座充满历史文化的建筑物,弥漫着艺术与芬芳气息的时尚之都,我手中这台 A7RII “火力全开”,捕捉着这座城市的浪漫与魅力。

也多亏是 A7RII,要不你能想像背着沉重的单反和累赘的整套装备,漫步在塞纳河畔和巴黎铁塔下的场景,还有浪漫可言吗?

为了减轻负担,在白天的拍摄中我都不喜欢带着三脚架。但在拍摄铁塔夜景这天,因时间问题取消了原定回酒店的计划,我也没机会去取三脚架。

所幸,蒙帕纳斯楼顶的设计对摄影师非常友好,楼顶边缘是一圈玻璃幕墙,且玻璃墙中间位置有一个刚够把镜头伸出去的间隙。

开始时我把镜头架在玻璃墙间隙上,用手压住镜头拍摄。使用ISO 2000左右,快门速度刚好落在安全快门(焦距的倒数)附近。

手持拍摄的巴黎铁塔夜景。1.6s,f/5.6,ISO 200
手持拍摄的巴黎铁塔夜景。1.6s,f/5.6,ISO 200

但随着光线越来越暗,更低的快门已经没法拍了。于是我用镜头遮光罩死死顶住玻璃尝试拍摄,最后得到这张ISO 200,快门1.6秒的手持照片,清晰度居然足够好!

要知道当时在高楼顶部是有大风的,楼顶会轻微摇摆,即使用三脚架也无法保证稳定,应该说5轴防抖立功了。

巴黎迪斯尼花车表演中的“蓬蓬”和“丁满”。依靠翻转屏、高速对焦和5轴防抖完成了一次“不可能任务”。1/250s,f/4.5,ISO 100
巴黎迪斯尼花车表演中的“蓬蓬”和“丁满”。依靠翻转屏、高速对焦和5轴防抖完成了一次“不可能任务”。1/250s,f/4.5,ISO 100

去巴黎迪斯尼主题公园时,我同样没有带三脚架。在花车出来时也没有抢到好位置,只能站在差不多三排人墙后把相机举过头顶近乎盲拍。

我用的是1.2公斤重的镜头,而身前的欧美人又大多身高马大,基本上又是一次“不可能任务”。

最后依靠翻转屏取景,高速准确的自动对焦和5轴防抖,我基本没错过几个画面。放大照片看“蓬蓬”和“丁满”,4240万像素对细节和质感的还原也非常优秀。

不少爱好者都对器材有着“完美主义”的追求(如果可以他们应该最想要 1-1000m F1.0 镜头吧),那么恐怕 A7RII 就是目前最接近这一理想的选择。

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