再见,司空见惯——2016年5月新刊导读

再见,司空见惯——2016年5月新刊导读

很多人拿起相机会有个念头:我才不拍那些司空见惯的人和物!5 期杂志里要和读者见面的摄影师们大多是这样做的。

本期专题,我们找来 4 位摄影师/图片编辑分享如何讲述财富故事。不过,各位不要指望这些故事像你在朋友圈中看到的那些如梦似幻的商业传奇。

近些年频繁获得各类摄影奖项的西班牙摄影师卡洛斯•斯帕特诺(Carlos Spottorno)、资深英国报道摄影师泽德•尼尔森(Zed Nelson)和美国《时代》周刊高级编辑迈尔斯•利特(Myles Little)的目标一致:反映“富者愈富、贫者愈贫”的西方社会现实。

但他们都不是从社会底层和贫困生活的角度入手,而是从处在财富金字塔顶尖人群的生活入手,通过描述富人获得财富、消费财富的情况来反映财富鸿沟的扩大。

照片选自卡洛斯•斯帕特诺(Carlos Spottorno)新书《财富管理》
照片选自卡洛斯•斯帕特诺(Carlos Spottorno)新书《财富管理》
约翰•考德韦尔,他是一位英国的十亿富翁。泽德•尼尔森(Zed Nelson)摄
约翰•考德韦尔,他是一位英国的十亿富翁。泽德•尼尔森(Zed Nelson)摄

来自西安的赵利文坚持多年拍摄身边的“中国式富人”,拒绝当“只会消费农民,只会拍弱势群体”的摄影师,想呈现一部分“新兴中产阶层”的“正常”生活状态。虽然和以上三位外国人相比,他的照片并不尖锐,但拍摄起来也不容易。

樊先生过着隐士般的生活。他喜欢古琴,爱人则会伴着琴声练练瑜伽。赵利文 摄
樊先生过着隐士般的生活。他喜欢古琴,爱人则会伴着琴声练练瑜伽。赵利文 摄

“当代韩国摄影师”栏目已刊4期,可能读者会发现,韩国人拍纪实摄影,总少不了和南北分裂的事实较劲,感觉有些苦怎么也倒不出来。

这期介绍的孙升贤也是一名中年报道摄影师,也拍了韩国人的战争记忆,但他更看重突破,不仅在韩国拍,也远渡重洋去到美国,还和印第安人成了好朋友,把朝鲜半岛分裂后的痛苦记忆与失去家园的印第安人的痛苦记忆,来了个视觉对比。

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努力寻求跳出框架的还有台湾摄影师邓博仁,他和自己的职业说了拜拜,甩甩袖子,不干摄影记者了,把自己快乐和忧伤倾注到超现实场景中。他还故意把底片放在潮湿的环境发霉发酵,像是以此对抗当年当摄影记者时接受的“正经”摄影训练。

201605新刊导读-6

“拍摄手札”栏目,我们采访了拍摄反家暴主题的冯海永,以及改组图片报道的撰稿人罗京运,他们的多媒体报道叫做《看见淤青有多难》。中国妇联曾公布一组数据,说婚姻生活中曾遭受不同形式家庭暴力的女性有24.7%,这个主题本身便是在号召大家向司空见惯的不合理行为说再见。

201605新刊导读-7

本期杂志,我们还采访了“恋上废墟的姑娘”杨潇,30 年拍摄临夏黄河滩涂的甘肃摄影师张润国、王杰,独自穿行在冰海中的加拿大环保摄影师马里奥•希尔,他们都有挑战现实的勇气。而另外个主题——新西兰奥克兰摄影节和秘鲁的的的喀喀湖又都带有某种“世界边缘”性质。

201605新刊导读-8

201605新刊导读-9

201605新刊导读-10

不多剧透了,但还要在顺便说一句,这期杂志中,与索尼相机有关的内容很多,喜欢使用索尼相机的朋友,请留步。

201605新刊导读-11

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